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Walter Benjamin observed in his writings on the interior that 'to live means to leave traces.' This interior design theory reader focuses on just how such traces might manifest themselves. In order to explore interior design's links to other disciplines, the selected texts reflect a wide range of interests extending beyond the traditional confines of design and architecture. It is conceived as a matrix, which intersects social, political, psychological, philosophical, technological andgender discourse, with practice issues, such as materials, lighting, colour, furnishing, and the body. The anthology presents a complex and sometimes conflicting terrain, while also creating a distinct body of knowledge particular to the interior. Locating theory on the interior through these multifarious sources, it encourages future discourse in an area often marginalised but now emerging in its own right. Within the reader individual excerpts are referenced to their place in the matrix and sequenced alphabetically. This organising strategy resists both a chronological and themed structure in order to provoke associations and inferences between excerpts. In this way the book offers the possibility of examining the interior from multiple vantage points: a disciplinary focus, the spatial and physical attributes of interiors, historical sequence, and topical issue based. Excerpts from Thomas Hope, Catherine E. Beecher and Harriet Beecher Stowe, Edith Wharton and Charles Eastlake provide contemporary nineteenth century accounts as the profession emerges, whereas Barbara Penner, Penny Sparke, Charles Rice, Georges Teyssot and Rebecca Houze offer re-interpretations of this period. The complexities of the twentieth-century interior are revealed by Robyn Longhurst, Kevin Melchionne, George Wagner, John Macgregor Wise, Joel Sanders and many others.
Proximities Mark Taylor and Julieanna Preston
Matrix Key
The Partition of Space
The Dialectics of Outside and Inside
The Sterility of Perfection The Rule Breaker’s Success
Chromophobia
Structures of Atmosphere
A Christian House
Thick Edge: Architectural Boundaries and Spatial Flows
A Wall of Books: The Gender of Natural Colors in Modern Architecture
A House for Josephine Baker
Bodies and Mirrors
Movement and Myth: the Schröder House and Transformable Living
Spatial Stories
Suitability, Simplicity and Proportion
On the Means by which Repose is Attainable in Decoration
Volatile Architectures
Thing-Shapes
The Dining Room
Men’s Room
‘Decorators May be Compared to Doctors’
Berggasse 19: Inside Freud’s Office
Toward a Feminist Poetics: Infection in the Sentence
Woman’s Domestic Body
Notes on Digital Nesting: a Poetics of Evolutionary Form
Faith and Virtuality: A Brief History of Virtual Reality
Thinking of Gadamer’s Floor
Buildings and their Genotypes
Household Furniture and Interior Decoration
From Wiener Kunst im Hause to the Wiener Werkstätte
Wherever I Lay My Girlfriend, That’s My Home
Interiors: Nineteenth-Century Essays on the ‘Masculine’ and the ‘Feminine’ Room
Tables, Chairs, and Other Machines for Thinking
On the Loss of (Dark) Inside Space
Social, Spatial and Temporal Factors
Wiener Wohnkultur: Interior Design in Vienna, 1910–1930
(Re)presenting Shopping Centres and Bodies: Questions of Pregnancy
The Tyranny of Taste
Streamlining: The Aesthetics of Waste
The Architecture of Manners: Henry James, Edith Wharton and The Mount
‘House Beautiful’: Style and Consumption in the Home
Living in Glass Houses
Dust
Colour and Method
Ordering the World: Perceptions of Architecture, Space and Time
A World of Unmentionable Suffering
The Apartment
A Kitchen as a Place to Be
Making Charleston (1916–17)
The Clubs of StJames’s: Places of Public Patriarchy
Rethinking Histories of the Interior
Designing the Dinner Party
‘Hi Honey, I’m Home’
Curtain Wars
Productions of Incarceration: The Architecture of Daniel Paul Schreber
Ornament and Order
‘The Things that Surround One’
Decorating Culture
In Praise of Shadows
Architecture and Interior: A Roam of One’s Own
Boredom and Bedroom: The Suppression of the Habitual
Visitors
The Chic Interior and the Feminine Modern
Inside Fear: Secret Places and Hidden Spaces in Dwellings
The Pleasure of Architecture
Domestic Doyennes: Purveyors of Atmospheres Spoken and Visual
The Lair of the Bachelor
Ultrasuede
The Historical Tradition
Home: Territory and Identity
The Material Value of Color: The Estate Agent’s Tale
Index 2100433B
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完整的设计包括下列内容: 1、设计总说明;2、总平面图(大的公寓、别墅要有分区域或各居室平面图);3、各部位立面图及剖面图4、节点大样图5、固定家具制作图6、电气平面图7、电...
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室内设计理论系列(转载) 现代室内设计作为一门新兴的学科, 尽管还只是近数十年的事, 但是人们有意识地对自己生活、 生产活动的室内进行安排布置, 甚至美化装饰,赋予室内环境以所祈使的气氛,却早已从人类文明伊始的时期就存在了。 一、国内室内设计的发展 原始社会西安半坡村的方形、圆形居住空间,已考虑按使用需要将室内作出分隔,使入口和火炕的位置布置合理。方形居住空 间近门的火炕安排有进风的浅槽,圆形居住空间入口处两侧,也设置起引导气流作用的短墙。
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室内设计是一门综合性设计学科。《室内设计理论及应用》根据室内设计专业教学大纳要求和本行业需要而编写的教材。《室内设计理论及应用》以知识性、科学性和衫性为主,考虑到专业的特点,采用一定数量的图例,配合文字叙述以加深理解。《室内设计理论及应用》共有九单,分别从不同的设计对象加以叙述,对本行业的设计、技术、管理人员及广大专业学生有指导和参考价值。2100433B
室内设计理论与方法,ISBN:9787560270265,作者:严肃
2100433B
一般规格 | 碎纸方式:粒状 碎纸效果:0.8x12mm 碎纸能力:8-10张/次 碎纸速度:8.4米/分 碎纸宽度:260mm 碎纸箱容积:65L 产品重量:43Kg 其它特性:适合碎纸要求高一些的客户。主要客户为银行、政府保密机关、外资企业等 |
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电气指标 | 电源:230V 噪音:56dB 功耗:1100W |
外观参数 | 长度:380mm 宽度:490mm 高度:870mm |